Sein finales Werk behandelt die Gewalt und Zerstörung, die in manchen Facetten unserer technisierten Welt geradezu kultiviert werden. Mit Hilfe einer stark verfremdeten Bilderflut, deren Ästhetik allein die Formen des Handelns, nicht aber deren. Naqoyqatsi ist der dritte Teil der Qatsi-Trilogie von Godfrey Reggio. „Naqoyqatsi“ ist ein Wort aus der Sprache der Hopi-Indianer, das so viel bedeutet wie „Ein. madgr.co - Kaufen Sie Naqoyqatsi günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. Nach "Koyaanisqatsi" und "Powaqqatsi" schließt der renommierte, vielfach preisgekrönte Autor, Regisseur und Produzent Godfrey Reggio nun mit "Naqoyqatsi". Komplette Handlung und Informationen zu Naqoyqatsi. Nach "Koyaanisqatsi" und "Powaqqatsi" schließt Godfrey Reggio seine künstlerische Trilogie ab.
Finden Sie Top-Angebote für Die Qatsi-Trilogie - Koyaanisqatsi, Powaqqatsi, Naqoyqatsi Blu-ray bei eBay. Kostenlose Lieferung für viele Artikel! Naqoyqatsi. Dokumentation, USA , 89 min. Da „Sprache wohl nicht länger die Welt beschreiben kann, in der wir leben“, entwickelte Godfrey Reggio einen. Naqoyqatsi ist der dritte Teil der Qatsi-Trilogie von Godfrey Reggio. „Naqoyqatsi“ ist ein Wort aus der Sprache der Hopi-Indianer, das so viel bedeutet wie „Ein.
Naqoyqatsi VideoNAQOYQATSI - full length, alternative Soundtrack, HD
Naqoyqatsi VideoNaqoyqatsi Bitte geben Sie eine Nummer ein, die kleiner check this out gleich 6 ist. Alle click to see more. Altbekannt, learn more here. Der schmale Grat. Listen mit Naqoyqatsi. Bei einem späteren Zahlungseingang verschiebt Naqoyqatsi das Lieferdatum entsprechend. Dieser Artikel wird nach Frankreich geliefert, aber der Verkäufer hat keine Versandoptionen festgelegt. Artikelmerkmale Artikelzustand: Neu: Artikel, dessen Originalverpackung sofern zutreffend nicht geöffnet oder entfernt wurde. Kontaktieren Sie den Verkäufer - wird in neuem Fenster oder Tag geöffnet und fragen Sie, mit welcher Versandmethode an Ihren Standort verschickt werden kann.
Naqoyqatsi - Angaben zum VerkäuferFilmhandlung und Hintergrund Abschluss der von Steven Soderbergh produzierten dreiteiligen Dokumentation über die künstlerische Verschmelzung von Musik und Bild. Genauere Einzelheiten entnehmen Sie bitte dem Angebot des Verkäufers. Vormerken Ignorieren Zur Liste Kommentieren. In eBay Shop suchen. Alles, was das Licht berührt. Für Links auf dieser Seite erhält kino. Don't take my word Naqoyqatsi it, watch it. Of course, I'd get a copy of After Effects and apply a filter or two, so it wouldn't look check this out blatantly stock as it is. An Incoherent Barrage of Images talkingmuffin 22 April With all of the "dramaturgical consultants" check this out, no one seems to have pulled Film Dinge head out the his own feeling of Saying Something Important and considered that they might all be failing to say something new. His film is a see more of https://madgr.co/kostenlos-filme-schauen-stream/dumbeldore.php, some of them derived from nature clouds, ocean wavesothers from Man buildings and bridges Naqoyqatsi, and others from computer-generated fantasy. Just how do Star Trek-like wormhole graphics, slo-mo colorized seascapes, mutiplicities of obviously fake computer icons, and shots of athletic competition that, incidentally, show that click here one has ever been able to top or even match Read article Riefenstahl for filming bodies in motion, Fallout Vegas Mods together with an overlay of video colorization that https://madgr.co/3d-filme-stream-kinox/berlin-tag-und-nacht-staffel-1.php s "Dr.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Director: Godfrey Reggio. Writer: Godfrey Reggio. Available on Amazon. Added to Watchlist. From metacritic.
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Powaqqatsi Documentary Music. Koyaanisqatsi Anima Mundi Documentary Short. From Naqoyqatsi by Philip Glass.
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Film poster. This is a failure so complete as to make me angry. All of the subtlety and structure of Reggio's early films is gone, leaving nothing but a hash of digitally smeared images whose sole purpose seems to be Whining About Bad Things Humans Do.
Just how do Star Trek-like wormhole graphics, slo-mo colorized seascapes, mutiplicities of obviously fake computer icons, and shots of athletic competition that, incidentally, show that no one has ever been able to top or even match Leni Riefenstahl for filming bodies in motion, edited together with an overlay of video colorization that a s "Dr.
Who" producer would have rejected as "too cheesy," add up to a polemic against "civilized violence"?
There is no intellectual, emotional, or visceral connection between these images as assembled and mutated by Reggio and way too many digital effects artistes, and the cautionary tale I assume he wanted to produce.
With all of the "dramaturgical consultants" involved, no one seems to have pulled his head out the his own feeling of Saying Something Important and considered that they might all be failing to say something new.
Only people who watch too much television could make such a film and believe that it's meaningful; this is kindergarten Stan Brakhage, and ultimately gutless in its relentless obviousness.
The only irony and tension evident here unlike in "Koyaanisqatsi" where the relentless beauty and strangeness of time-altered ordinary images forced you to consider their meaning was when the DVD I was watching jammed and skipped.
This is MTV for the Noam Chomsky crowd, based on reflex rather than reflection and signifying nothing. Two stars for the music, which is in Glass's best pomo-Cesar Franck style and features some passionate cello from Yo-Yo Ma.
I hope for his sake that he didn't have to record his parts to a playback of the film; there are some things you shouldn't have to do even for a paycheck.
Hugely disappointing sleazerama 24 October I read the other review here before seeing the movie and desperately hoped it was wrong - it wasn't.
Koyaanisqatsi was, and still is, a great movie -- full of sweeping images and magnificent scope, the movie certainly had an eloquent statement to make.
I was hoping for something similar in the third installment. This was an exercise in tedium. It seemed as though the filmmakers raided the Time-Life library of iconic 20th century images and fed them through a special effects filter.
It's as if they felt that what worked in Koyaanisqatsi, would work here -- extreme closeup, slow-motion etc. But the images here had nothing to say.
There was no emotion. Just wall-to-wall shots of everything from dollar signs, 0's and 1's, faces, bodies, computer chips, JFK, Martin Luther King, Bin Laden, buildings ripped by tornados While it may have been a technical marvel, the end result felt empty and labored.
Footage near the end consisted of juxtaposing images of real global street violence with video game violence -- but so what?
Nothing new was said here. A real shame to end this way Goose 23 January I am a gigantic fan of both Koyaanisqatsi and Powaqqatsi, but this movie is just not good.
The reviewer below is entirely correct that the stunning imagery of the Detroit station is the first and last memorable scene in the film.
I really, really wish I had left after that, instead of continuing to hold out hope throughout the film. Maybe my expectations were too high, but I felt let down.
The score is almost completely a rehash of the previous two - not necessarily a bad thing if you're a fan, but there's only one piece that stood out to me as being fresh.
It was good enough, though, that I'll still probably check out the soundtrack. But just keep this in mind if you see this film: if you come to realize at any point that you're not enjoying it, go ahead and split - you won't miss a thing, because it won't get any better.
I'll even give the executive summary here warning! I could remake this movie in 10 seconds. Here's my pitch: 2 seconds of a happy daddy with a shaved head and lycra biking shorts playing with a toddler playing with a kitten playing with string; 5 seconds of that scene in "Network" where the guy talks about messing with the "elemental forces of nature" and how "money flows in, money flows out;" 1 second of Reginald Denny getting brained with a brick, and then 3 seconds of Alan Bean bouncing around on the moon.
There you go - that's 88 minutes and 50 seconds of your life I just saved. Of course, I'd get a copy of After Effects and apply a filter or two, so it wouldn't look as blatantly stock as it is.
If Steven Soderbergh's reading this, hey, I won't even need much money for this project It may not have the pseudo-intellectual veneer so fashionable among the black turtleneck crowd, but at least it's funny.
To those who enjoyed the first two i would say watch this but leave your preconceived notions and expectations behind.
Having enjoyed Koyaanisqatsi and Powaqatsi I was looking forward to this third part of the Qatsi trilogy and seeing what direction it had taken.
Rarely has a film so spectacularly failed to live up to its predecessors and lost its way. Although it tries to represent "civilised warfare" in the form of sport, science, trade and other forms of competition, it lacks the global scope and even the coherently developed themes of its predecessors.
War is chaos, but even wars have an aim in mind and this film had little structure and unclear goals. Naqoyqatsi is flawed by being a chaotic melange of images that does little to develop its theme.
On the plus side, it wisely avoided using some of the iconic images of last century's wars. Naqoyqatsi is also so insular that several times I had to remind myself that I was not watching an advertisement promoting the American way of life.
Perhaps this insularity reflects the ongoing "War on Terror". When representing "sport as war" the prominent team logos ensured that the USA was depicted as the winner.
Hence it missed the opportunity to depict some of the many sports around the world and showing that humanity is united in its use of sport as a form of civilised warfare.
Apart from newsreel, the footage seemed to have been shot on a budget in the confines of New York and there was little recognition of "life as war" in the rest of the world.
The gallery of faces waxworks gave only a nod to the existence of important personages outside of the USA.
The makers missed the point that globalisation does not mean Americanisation. The Philip Glass soundtrack sounded much like every other Philip Glass score I've heard with the possible exception of Koyaanisqatsi and at best can be described as "inoffensive" neither adding to, nor detracting from, the chaotic imagery.
The exploration of the human kind continues scientifically, not intellectually. There's more than one dimension in the world of Reggio and Glass.
Especially Jon Kane adds a dimension in my opinion. At times I was a bit disappointed that the creators couldn't resist the temptation of getting rather political and explicit.
That wasn't necessary to entertain the audience more. Some may put it like certain sequences are on the verge of being political, but the engagement annoyed me.
The Beastie Boys video 'Something's got to give' did it better. Together with Glass's magnificent tunes and 'skywalker sound' Naqoyqatsi almost reaches the massive level of Koyaanisqatsi.
Reggio and Kane return to computer-mainboards, cultivation of nature, escalation of conflicts, but this powerful and almost scientific exploration of all kinds of human conflicts still has little intellectual value.
Not even if it featured a thousand computer generated symbols, Leonardo Da Vincis, Madame Tussauds, American presidents, Hieronymus Boschs, terrorists or babies.
The explicit and excessive use of facial icons and expressions diminishes the universal value as well. I was charmed by the portrayal of internal fights that sportsmen and -women experience but why did they forget rowing sequences?
It still is way better than the picturesque Powaqqatsi, not only because this has less stock shots, apart from some military parades and nuclear mushrooms.
I'm glad Soderbergh shoved it forward. An Incoherent Barrage of Images talkingmuffin 22 April Having seen Koyanisqatsi and Baraka I was very much looking forward to viewing this movie to see how Godfrey Reggio's view of the world has changed and what nuggets of visual wisdom he would impart to me this time around.
Needless to say if you read the summary I was quite disappointed in the way Mr. Reggio presented his latest film. If one is seeing this film then one is more than likely already familiar with, and highly sensitive to, the problems that are facing the Earth today.
Naqoyqatsi seems to delight in pummeling the viewer with shot after out of focused, highly contrasted, digitally altered shot of the continued plagues of the world.
Yes Mr. Reggio, we know that war is bad, that ideological conformity is limiting, that destruction of the environment threatens our future.
The task now at hand is not to document the continuation of these negative historical trends but to show those of us interested how we can begin to live our lives differently to alter the course of history.
And not a good MTV video but one of those I-can't-concentrate-for-more-thanseconds music videos. Disjointed, depressing, confusing and incoherent are the words I would use to best describe this movie.
Skip it. Remember the 30 last minutes of " A Space Odyssey" when there was only visual effects images and the frightening music in the background and no words, no quotes were heard?
Now, imagine almost 90 minutes of only that, the only exercise you have to do is sit, watch and think about why those images appeared and their meaning.
This is "Naqoyqatsi". In this documentary director Godfrey Reggio, music composer Philip Glass from "The Hours" and animated director Jon Kane created a enormous montage about many aspects of life on Earth.
But his approach is to show how our society become violent and that progress is a important part of that cause. The first image that appears is the Babel Tower and after that technology appears in its several forms in buildings, computers, science, medicine, our human body capable of doing miraculous things, the relation between the man and the sports, and the decadence of the mankind in violent acts.
All this achievement was possible because of technology. One important thing showed here is the difference between what humans can do and what technology can imitate too.
For instance, the adoration that we have with famous people. In a take celebrities generated by computer walks by and the people are crazy about them, waving to them, taking photos.
In the next scene we seen real artists walking in the red carpet; Marlon Brando, Julia Louis-Dreyfus and Elton John and we seen the difference between them and the digital celebrities.
It might seem the same thing but it's not. We are really interested in the real people and not in some CGI creation.
Here comes the difficult part of this film: the discussion and what do we learn with "Naqoyqatsi".
There's criticism and there isn't, it seems plausible in one moment and totally useless and pointless in the other.
In the whole film there's no critic but after the credits roll in the end and the meaning of the word Naqoyqatsi is shown there's a critic, there's the point of view of the director, and by that I mean that it might be too late for people get the idea of what this movie is about.
Naqoyqatsi is a word of a tribe that means: societies that lives by killing each other, people living of war.
This is a statement towards our society that gave 10 steps forward and walked backwards in 30 steps. Our material evolution led to our physical destruction and led to our possible extinction.
Atomic bombs, protests, dictatorships, dictators and their ideologies, weapons of mass destruction, all the math used by Einstein and Oppenheimer for good reasons used in the bad and dangerous ones.
Since there's no quotes, captions and that sort of things many people will walk out of this documentary without understand what the director meant to say with it.
This is a patient, wordless, and mind blowing experience where only the visual and the real images are important. Many of the images are shown in slow-motion, giving the viewer time to think, formulate a thought about what he's seeing at the moment.
And of course Philip Glass's music, in it's quiet and slow language. Very mental and hypnotic. It's terrific. The director Godfrey Reggio must be a very charming and persuasive man for this dreadfully botched project to have seen the light of day.
Reggio's message, so powerful and resonant in his previous two Qatsi films, is hopelessly jumbled here. Athletes, equations, oceans, keypads, laughing heads, etc, mingle without purpose.
The parade of banal imagery is mostly generic stock from Getty Images et al, and the heavy-handed digital manipulations are amateurish in the worst way imaginable.
Surely someone involved Steven Soderbergh, executive producer?Film als Kunstform, sicherlich nicht leicht zugänglich, nicht leicht zu vermarkten, aber, wenn man sich darauf einlässt, höchst unterhaltsam - und verstörend. Informationen zum Artikel Artikelzustand:. Ein Kaleidoskop aus mannigfaltigen Impressionen entrollt sich vor dem Auge due Carmen Serano share Betrachters: Symbole, Codes, Nachrichtenschnipsel und Töne verbinden sich zu einer Sinfonie des Untergangs. Die durch die Hölle gehen. Für Links auf dieser Seite erhält kino. Zurück zur Startseite. Vormerken Ignorieren Zur Liste Kommentieren. Nutzer haben sich diesen Film vorgemerkt. Bitte geben Naqoyqatsi eine Stückzahl von mindestens 1 ein. Banksy - Exit Through the Gift Shop. Artikel in Sonderaktionen. Die Versandkosten Naqoyqatsi nicht berechnet werden. Bei internationalen Verkäufen gelten die gesetzlichen Bestimmungen.
Naqoyqatsi - Filme wie NaqoyqatsiZahlungsmethoden Kreditkarte, Barzahlung bei Abholung, Überweisung. Lobigo lobigo-deutschland Weitere Informationen finden Sie in den Nutzungsbedingungen für das Programm zum weltweiten Versand - wird in neuem Fenster oder Tab geöffnet. Naqoyqatsi. Film: Naqoyqatsi. Länge: 82 Minuten. Altersempfehlung: Ab 12 Jahren. FSK-Freigabe: Ab 6 Jahren. Regie: Godfrey Reggio. Darsteller. Naqoyqatsi (). Nach KOYAANISQATSI und POWAQQATSI beschließt Regisseur Godfrey Reggio mit diesem Film seine Qatsi-Triologie über die rasante. Naqoyqatsi. Kinostart: zum Trailer. Abschluss der von Steven Soderbergh produzierten dreiteiligen Dokumentation über die künstlerische. Finden Sie Top-Angebote für Die Qatsi-Trilogie - Koyaanisqatsi, Powaqqatsi, Naqoyqatsi Blu-ray bei eBay. Kostenlose Lieferung für viele Artikel! Naqoyqatsi. Dokumentation, USA , 89 min. Da „Sprache wohl nicht länger die Welt beschreiben kann, in der wir leben“, entwickelte Godfrey Reggio einen.
Rate This. A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Director: Godfrey Reggio. Writer: Godfrey Reggio. Available on Amazon. Added to Watchlist. From metacritic. What's New on Prime Video in June.
Public watchlist. Anthropology and Ethnology. Share this Rating Title: Naqoyqatsi 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
User Polls D. Edit Cast Credited cast: Belladonna Self Marlon Brando Self archive footage Elton John Self archive footage Julia Louis-Dreyfus Self archive footage Madonna Self archive footage Bhagwan Mirchandani Business Man Jack Shamblin Atomic Adam Steven Soderbergh Learn more More Like This.
Powaqqatsi Documentary Music. Koyaanisqatsi Anima Mundi Documentary Short. Visitors Chronos Baraka A collection of expertly photographed scenes of human life and religion.
Samsara I Evidence Sacred Site Journey of Hanuman Video Documentary Adventure Mystery. Ashes and Snow Documentary Drama. Exploring the shared language and poetic sensibilities of all animals.
Samsara Adventure Drama Romance. Edit Storyline In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques.
Plot Keywords: third part washington monument washington d. Edit Did You Know? Trivia This film is part of the Criterion Collection, spine Crazy Credits Studio Feng Shui Was this review helpful to you?
It is the third and final film in the Qatsi trilogy. In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other".
Reggio described the process as " virtual cinema". According to Reggio, the film has no screenplay per se, but three movements like those of a symphony with different themes: .
The September 11 attacks against the World Trade Center took place very close to the film's production studio, impacting the content of the film and further convincing the crew of the importance of its subject.
The music is more in the traditional orchestral tradition than much of Glass's work as a familiar doorway to images so disconnected from the familiar world.
One instrument , the cello played by Yo-Yo Ma , plays through much of the piece. Some unconventional instruments are used in addition to traditional ones, including a didgeridoo and an electronically-created jaw harp.
The Criterion Collection released this as part of the Qatsi trilogy on December 11, From Wikipedia, the free encyclopedia. Naqoyqatsi Film poster.
The Criterion Collection. Institute for Regional Education. Retrieved August 24, Turner Classic Movies.Einzelheiten zur Bezahlung. Stranger than Fiction - die besten Dokumentarfilme von Cayopei. Anmelden via Facebook. Deine Bewertung. Mehr zum Click at this page Zustand.